WUSTL MUSIC is proud to bring today's greatest artists to our community.
All concerts take place at the 560 Music Center - E. Desmond Lee Concert Hall
560 Trinity Ave
For tickets click the links below or call the Edison Box Office at 314-935-6543 to order over the phone.
About the Series:
Jonathan Biss, piano - February 9, 2017 at 7:30 P.M.
Program: "Late Style" Purchase Tickets to Jonathan Biss
Schumann - Gesänge der Frühe, Op. 133
Kurtág Játékok - Selections from Volume VII
Chopin - Polonaise-Fantasie, Op. 61
Brahms - Sonata in F minor, Op. 5, second movement
Klavierstücke, Op. 119
Klavierstücke, Op. 118
About the Program:
Following on the immeasurable success of his immersive series Schumann: Under the Influence, Biss delves into a composer’s final years in a series of concerts, authoritative writing, and exploratory panels. From Jonathan Biss: “The question of “late style” has long been of interest to writers and philosophers, from Adorno to Said. What effect do years of accumulated knowledge and experience, combined with, perhaps, the realization that death is near, have on artistic creation? The question is particularly fascinating with music, first of all because it is abstract, and therefore its “subject matter” is more difficult to discern than is the case with literature, but mostly because a remarkable number of composers moved in surprising directions in their last years. Over five centuries, composers whose late periods came as early as their 30s or as late as their 80s have found new forms of expression as they approached the ends of their lives. Still more interesting, the change is not consistent from composer to composer: some become more concise, others more expansive. Some become fixated on death, others find an almost child-like innocence. Some composers wrote their most adventurous music in their late periods, and others pursued an extreme simplicity. These new directions are the subject of the four concerts that make up this project.”
Jonathan Biss is a world-renowned pianist who shares his deep musical and intellectual curiosity with classical music lovers in the concert hall and beyond. He performs a diverse repertoire ranging from Mozart and Beethoven, through the Romantics to Janáček and Schoenberg, as well as works by contemporary composer Gyorgy Kurtág and commissions from Leon Kirchner, Lewis Spratlan, and Bernard Rands. Biss has a noted recording career, including an album of Schubert sonatas and two short Kurtág pieces that NPR Music named as one of the best albums of the year. His recent albums for EMI won Diapason d’Or de l’année and Edison awards, and in 2016 he releases the fifth volume of his nine-year, nine-disc recording cycle of Beethoven’s complete piano sonatas.
Biss studied at Indiana University and at the Curtis Institute of Music, where he joined the piano faculty in 2010. He led the first massive open online course (MOOC) offered by a classical music conservatory, Exploring Beethoven's Piano Sonatas, which has reached more than 100,000 people in more than 160 countries, and he will continue to add lectures until he covers all the sonatas. His bestselling eBook, Beethoven’s Shadow, published by RosettaBooks in 2011, was the first Kindle Single written by a classical musician. This season Biss launches his latest Beethoven project, Beethoven/5, for which the Saint Paul Chamber Orchestra (SPCO) is commissioning five composers to write new piano concertos, each inspired by one of Beethoven's five piano concertos.
Yefim Bronfman, piano - April 23, 2017 at 7:00 P.M.
Program: Purchase Tickets to Yefim Bronfman
Bartok - Suite, Op. 14, Sz. 62, BB 70
Schumann - Humoreske in B-flat Major, Op. 20
Debussy - Suite bergamasque
Stravinsky - Petrushka
“His energy emanates from his fingers and swirls out of the piano with such perfection that every note grabs the ear with an expressive, singing quality. When his hands swept the full length of the keyboard in arpeggios and scales, Bronfman made it all look effortless” – The Washington Post
Internationally recognized as one of today's most acclaimed and admired pianists, Yefim Bronfman stands among a handful of artists regularly sought by festivals, orchestras, conductors and recital series. His commanding technique, power and exceptional lyrical gifts are consistently acknowledged by the press and audiences alike.
At the center of this season is a residency with the Staatskapelle Dresden which includes all the Beethoven concerti conducted by Christian Thielemann in Dresden and on tour in Europe. Mr. Bronfman will also be performing Bartok concerti with the London Symphony Orchestra and Valery Gergiev in Edinburgh, London, Vienna, Luxembourg, and New York. Recital performances will capture audiences with the cycles of the daunting complete Prokofiev sonatas over three programs in Berlin, New York's Carnegie Hall, and Cal Performances, Berkeley.
As a regular guest, Mr. Bronfman will return to the Vienna, New York and Los Angeles philharmonics, Mariinsky, Cleveland and Philadelphia orchestras, as well as the symphonies of Boston, Montreal, Toronto, San Francisco and Seattle. Following the success of their first US tour last spring, Mr. Bronfman will rejoin Anne-Sophie Mutter and Lynn Harrell in May for a European tour that takes them from Madrid to Berlin, Moscow and Milan.
Mr. Bronfman was awarded the Avery Fisher Prize in 1991, and the Jean Gimbel Lane Prize in piano performance from Northwestern University in 2010. He has been nominated for three GRAMMY® Awards, one of which he won with Esa-Pekka Salonen and the Los Angeles Philharmonic for their recording of the three Bartók Piano Concerti.
Born in Tashkent in the Soviet Union on 10 April 1958, Yefim Bronfman immigrated to Israel with his family in 1973.
Nathan Gunn, baritone - May 5, 2017 at 7:30 P.M.
Program: Purchase Tickets to Nathan Gunn
Schumann - Dichterliebe, Op. 48
Barber - Church Bell at Night
Schubert - Die Taubenpost
Wolf - Der Musikant
Ives - General William Booth Enters into Heaven
“Nathan Gunn commands an operatic baritone whose mighty heft and richness confer an outsize authority on everything he touches.” - The New York Times
Nathan Gunn has made a reputation as one of the most exciting and in-demand baritones of the day. He has appeared in internationally renowned opera houses such as the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Royal Opera House, Paris Opera, Bayerische Staatsoper, Glyndebourne Opera Festival, Theater an der Wien, Teatro Real in Madrid, and the Théâtre Royal de la Monnaie. His many roles include the title roles in Billy Budd, Eugene Onegin, Il Barbiere di Siviglia, and Hamlet; Guglielmo in Cosí fan tutte, the Count in Le Nozze di Figaro, Malatesta in Don Pasquale, Belcore in L’Elisir d’Amore, Ottone in L’incoronazione di Poppea, Tarquinius in The Rape of Lucetia, Danilo in The Merry Widow, and The Lodger in The Aspern Papers.
A noted supporter of new works, Mr. Gunn most recently created the role of Inman in Jennifer Higdon's Cold Mountain at the Santa Fe Opera. He also created the roles of James Dalton in Iain Bell's The Harlot's Progress at the Theater an der Wien, Yeshua in Mark Adamo’s The Gospel of Mary Magdalene at the San Francisco Opera, Paul in Daron Hagen’s Amelia at the Seattle Opera, Alec Harvey in André Previn’s Brief Encounter at the Houston Grand Opera, Father Delura in Peter Eötvös’ Love and Other Demons at the Glyndebourne Opera Festival, and Clyde Griffiths in Tobias Picker’s An American Tragedy at the Metropolitan Opera. Because of this dedication to new works, Mr. Gunn is the Director of the American Repertoire Council at the Opera Company of Philadelphia, a steering council focused on advancing the company’s American Repertoire Program which is committed to produce a new American work in 10 consecutive seasons.
Also a distinguished concert performer, Mr. Gunn has appeared with the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, San Francisco Symphony, Pittsburgh Symphony Orchestra, Cleveland Orchestra, Minnesota Orchestra, London Symphony Orchestra, Münchner Rundfunkorchster, and the Rotterdam Philharmonic Orchestra. The many conductors with whom he has worked include Sir Andrew Davis, Sir Colin Davis, Christoph von Dohnányi, Christoph Eschenbach, Alan Gilbert, Daniel Harding, James Levine, Kurt Masur, Kent Nagano, Antonio Pappano, David Robertson, Donald Runnicles, Esa-Pekka Salonen, Robert Spano, Michael Tilson Thomas, and Mark Wigglesworth.
A frequent recitalist, Mr. Gunn has been presented in recital at Alice Tully Hall and by Carnegie Hall in Zankel Hall. He has also been presented by Roy Thomson Hall, Cal Performances, the Schubert Club, the Philadelphia Chamber Music Society, the Vocal Arts Society in Washington, DC, the University of Chicago, the Krannert Center, the Wigmore Hall, and the Théâtre Royal de la Monnaie. As a student, he performed in series of recitals with his teacher and mentor John Wustman that celebrated the 200th anniversary of Franz Schubert’s birth.
Mr. Gunn has recently ventured outside the standard opera repertoire with appearances in performances of the the title role in Sweeney Todd with the Houston Grand Opera, Camelot and Carousel with the New York Philharmonic (both broadcasted on PBS) and Show Boat at Carnegie Hall and the Lyric Opera of Chicago. He also appeared in the New York Philharmonic’s 80th birthday gala celebration for Stephen Sondheim and appeared with the orchestra in an evening of Broadway classics with Kelli O’Hara. Other engagements have included appearances with Mandy Patinkin in Rochester, the Krannert Center, the Ravinia Festival and on tour in Australia and New Zealand, a series of cabaret shows at the famed Café Carlyle in New York City and at the Segerstrom Center for the Arts in Orange County, as a special guest artist in the Mormon Tabernacle Choir’s annual Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square, and a performance of Sting and Trudie Styler’s work Twin Spirits in the Allen Room at Jazz at Lincoln Center.
Mr. Gunn’s solo album, Just Before Sunrise, was released on Sony/BMG Masterworks. Other recordings include the title role in Billy Budd with Daniel Harding and the London Symphony Orchestra (Virgin Classics), which won the 2010 Grammy Award, the first complete recording of Rogers & Hammerstein’s Allegro (Sony’s Masterworks Broadway), Peter Grimes with Sir Colin Davis and London Symphony Orchestra (LSO Live!) which was nominated for a 2005 Grammy Award, Il Barbiere di Siviglia (SONY Classics), Kullervo with the Atlanta Symphony Orchestra (Telarc), and American Anthem (EMI). He also starred as Buzz Aldrin in Man on the Moon, an opera written specifically for television and broadcast on the BBC in the UK. The program was awarded the Golden Rose Award for Opera at the Montreux Festival in Lucerne.
This season, Mr. Gunn appears at both the Dallas Opera and the San Diego Opera in the world premiere of Jake Heggie's Great Scott. He also makes a guest appearance in the San Francisco Symphony Orchestra's opening night gala, and appears in recital at Louisville and Emory Universities.
Mr. Gunn was the recipient of the first annual Beverly Sills Artist Award, and was awarded the Pittsburgh Opera Renaissance Award. He is an alumnus of the Metropolitan Opera Lindemann Young Artists Program and was a winner of the 1994 Metropolitan Opera National Council Competition. Mr. Gunn is also an alumnus of the University of Illinois at Champaign-Urbana where he is currently a professor of voice and the General Director of the Lyric Theater @ Illinois.
**All programs subject to change.