WUSTL MUSIC is proud to bring today's greatest artists to our community.
All concerts begin at 7:00 P.M. on Sundays at the E. Desmond Lee Concert Hall at the 560 Music Center.
or call the Edison Box Office at 314-935-6543 to order over the phone.
- $90 for three concerts featuring some of the most exciting artists of our time.
- Discounted seating with no ticketing or credit card fees. This is up to a 25% savings from single ticket prices.
- Premiere, reserved seating in the center section and first choice of the best available seats.
- Complimentary subscriber only postconcert wine receptions with the artist when available.
- Subscriptions available June 5, 2017 (Single tickets on sale September 1).
About the Series:
Katia and Marielle Labèque, pianos - January 28, 2018
About the Program:
STRAVINSKY The Rite of Spring
DEBUSSY Epigraphes Antiques
PHILIP GLASS Four Movements for Two Pianos
They are regular guests with the most prestigious orchestras of Europe and America with conductors including Semyon Bychkov, Lionel Bringuier, Sir Colin Davis, Gustavo Dudamel, Charles Dutoit, Sir John Eliot Gardiner, Miguel Harth-Bedoya, Kristjan Jarvi, Pavo Jarvi, Zubin Mehta, Seiji Ozawa, Antonio Pappano, Georges Prêtre, Sir Simon Rattle, Esa-Pekka Salonen, Leonard Slatkin, Michael Tilson Thomas, and Jaap Van Zweden.
They have appeared with Baroque music ensembles such as The English Baroque Soloists with Sir John Eliot Gardiner, Il Giardino Armonico with Giovanni Antonini, Musica Antica with Reinhard Goebel, and Venice Baroque with Andrea Marcon. As well, they recently toured with Age of Enlightenment and Sir Simon Rattle.
Given their commitment to contemporary music, Katia and Marielle have had the privilege of working with many composers including Louis Andriessen, Luciano Berio, Pierre Boulez, Philip Glass, Osvaldo Golijov, György Ligeti, Olivier Messiaen. In May 2015 they presented the world premiere of Philip Glass' Concerto written for them with the LA Philharmonic under the baton of Gustavo Dudamel.
The Labèques play in major festivals and venues worldwide. A record audience of more than 33,000 attended a gala concert with the Berlin Philharmonic conducted by Sir Simon Rattle at Berlin’s Waldbühne, now available on EuroArts DVD. For their own label KML recordings, they have most recently released Sisters on KML Recordings which features a selection of musical pieces from their personal and professional lives. Their first release under the new DG agreement will be music of Stravinsky and Debussy at the end of 2016.
The Vienna Philharmonic's annual summer concert at Schoenbrunn in June 2016 in which they were soloists drew a crowd of 100,000 with an additional audience of 1.5 million TV viewers (now available on CD and DVD for Sony).
Susan Graham, mezzo-soprano - March 25, 2018
About the Program:
SCHUMANN SEIT ICH IHN GESEHEN
STRAUSS Seitdem dein Aug’ in meines schaute
SCHUMANN ER, DER HERRLICHSTE VON ALLEN
DANKWORTH Shall I compare thee to a summer’s day?
FAURÉ Chanson d’amour
SCHUMANN ICH KANN’S NICHT FASSEN, NICHT GLAUBEN
GRIEG Jeg elsker dig
FAURÉ Au bord de l’eau
SCHUMANN DU RING AN MEINEM FINGER
TURINA Los dos miedos
SCHUMANN HELFT MIR, IHR SCHWESTERN
Mutter, Mutter, glaube nicht
Lass mich ihm am Busen hangen
RAVEL Tout Gai!
DEBUSSY La Chevelure
SCHUMANN SÜSSER FREUND, DU BLICKEST MICH VERWUNDERT AN
POULENC Le Carafon
SCHUMANN AN MEINEM HERZEN, AN MEINER BRUST
GRANADOS O muerte cruel
QUILTER How Shall I your true love know?
SCHUMANN NUN HAST DU MIR DEN ERSTEN SCHMERZ GETAN
Biography: Susan Graham
Susan Graham – hailed as “an artist to treasure” by the New York Times – rose to the highest echelon of international performers within just a few years of her professional debut, mastering an astonishing range of repertoire and genres along the way. Her operatic roles span four centuries, from Monteverdi’s Poppea to Sister Helen Prejean in Jake Heggie’s Dead Man Walking, which was written especially for her. She won a Grammy Award for her collection of Ives songs, and her recital repertoire is so broad that 14 composers from Purcell to Sondheim are represented on her most recent Onyx album, Virgins, Vixens & Viragos. This distinctly American artist has also been recognized throughout her career as one of the foremost exponents of French vocal music. Although a native of Texas, Graham was awarded the French government’s prestigious “Chevalier de la Légion d'Honneur,” both for her popularity as a performer in France and in honor of her commitment to French music.
To launch the 2016-17 season, Graham joined Renée Fleming and Michael Tilson Thomas at the San Francisco Symphony’s opening-night gala, before stepping in to play Dido in Lyric Opera of Chicago’s new, premiere staging of Berlioz’s epic Les Troyens. Having created the role of Sister Helen Prejean in the world premiere production of Dead Man Walking, she stars in Washington National Opera’s revival of the opera, now making her role debut as the convict’s mother. She returns to Santa Fe Opera in the plum “trouser” role of Prince Orlofsky, in the company’s first new production of Johann Strauss II’s Die Fledermaus in 25 years, and sings Erika in Samuel Barber’s Vanessa with the Deutsches Symphonie-Orchester Berlin. Also in concert, she joins the MET Orchestra and Esa-Pekka Salonen at Carnegie Hall for selections from Mahler’s Des Knaben Wunderhorn; sings Octavian to Renée Fleming’s Marschallin in Richard Strauss’s Der Rosenkavalier with the Boston Symphony and Andris Nelsons; performs selections from Canteloube’s Chants d'Auvergne with the Philadelphia Orchestra and Yannick Nézet-Séguin; reprises Berlioz’s La mort de Cléopâtre with the San Antonio Symphony; and sings Ravel’s Shéhérazade and Mahler’s Symphony No. 3 with the Sydney Symphony under David Robertson. In recital, she reunites with regular partner Malcolm Martineau for accounts of “Frauenliebe und -leben Variations,” her wide-ranging program inspired by Schumann’s iconic song cycle, in Santa Barbara, Baltimore, and Portland, Oregon.
Last season, Graham made her role debut as Countess Geschwitz in William Kentridge’s new production of Berg’s Lulu at the Metropolitan Opera, where she also starred in Die Fledermaus under James Levine. In concert, she celebrated New Year’s Eve in a Parisian-themed program with the New York Philharmonic, joined the Orchestra of St. Luke’s for Purcell at Carnegie Hall, and sang Berlioz with the San Francisco Symphony and Michael Tilson Thomas. To cap the 2015-16 season, she premiered her “Frauenliebe und -leben Variations” program in recitals with Bradley Moore in Boston’s Celebrity Series and at London’s Wigmore Hall, before giving her role debut as Clarion in Richard Strauss’s Capriccio at Santa Fe Opera.
Graham’s earliest operatic successes were in such trouser roles as Cherubino in Mozart’s Le nozze di Figaro. Her technical expertise soon brought mastery of Mozart’s more virtuosic roles, like Sesto in La clemenza di Tito, Idamante in Idomeneo and Cecilio in Lucio Silla, as well as the title roles of Handel’s Ariodante and Xerxes. She went on to triumph in two iconic Richard Strauss mezzo roles, Octavian in Der Rosenkavalier and the Composer in Ariadne auf Naxos. These brought her to prominence on all the world’s major opera stages, including the Met, Lyric Opera of Chicago, San Francisco Opera, Covent Garden, Paris Opera, La Scala, Bavarian State Opera, Vienna State Opera and the Salzburg Festival, among many others. In addition to creating the role of Sister Helen Prejean in the world-premiere production of Dead Man Walking at San Francisco Opera, she sang the leading ladies in the Met’s world premieres of John Harbison’s The Great Gatsby and Tobias Picker’s An American Tragedy, and made her Dallas Opera debut as Tina in a new production of The Aspern Papers by Dominick Argento. As Houston Grand Opera’s Lynn Wyatt Great Artist, she starred as Prince Orlofsky in the company’s first staging of Die Fledermaus in 30 years, before heading an all-star cast as Sycorax in the Met’s Baroque pastiche The Enchanted Island and making her rapturously received musical theater debut in a new production of Rodgers & Hammerstein’s The King and I at the Théâtre du Châtelet in Paris.
It was in an early Lyon production of Berlioz’s Béatrice et Bénédict that Graham scored particular raves from the international press, and a triumph in the title role of Massenet’s Chérubin at Covent Garden sealed her operatic stardom. Further invitations to collaborate on French music were forthcoming from many of that repertoire’s preeminent conductors, including Sir Colin Davis, Charles Dutoit, James Levine and Seiji Ozawa. New productions of Gluck’s Iphigénie en Tauride, Berlioz’s La damnation de Faust and Massenet’s Werther were mounted for the mezzo in New York, London, Paris, Chicago, San Francisco and beyond. She recently made title role debuts in Offenbach’s comic masterpieces La belle Hélène and The Grand Duchess of Gerolstein at Santa Fe Opera, along with proving herself the standout star of the Met’s star-studded revival of Berlioz’s Les Troyens, which was broadcast live to cinema audiences worldwide in the company’s celebrated “Live in HD” series. She also returned to the Met in the title role of Susan Stroman’s new production of Lehár’s The Merry Widow, before closing the season opposite Bryan Hymel in a new staging of Les Troyens by David McVicar at San Francisco Opera. She also headlined gala concerts at Los Angeles Opera and Lyric Opera of Chicago, where she joined Jane Lynch, Renée Fleming, Ramsey Lewis and others to celebrate the company’s 60th anniversary.
Graham’s affinity for French repertoire has not been limited to the opera stage; it also serves as the foundation for her extensive concert and recital career. Such great cantatas and symphonic song cycles as Berlioz’s La mort de Cléopâtre and Les nuits d'été, Ravel’s Shéhérazade and Chausson’s Poème de l’amour et de la mer provide opportunities for collaborations with the world’s leading orchestras, and she makes regular appearances with the New York Philharmonic, Boston Symphony, Orchestre de Paris and London Symphony Orchestra. In 2013-14 Graham joined Bernard Haitink and the Boston Symphony for Shéhérazade in Boston and at Carnegie Hall. In the 2014-15 season she sang Berlioz’s Les nuits d'été with John Eliot Gardiner’s Orchestre Revolutionnaire et Romantique, and later joined the Royal Flemish Philharmonic for La mort de Cléopâtre. Finally she reunited with regular recital partner Malcolm Martineau for a West Coast tour and a season-closing recital in Classical Action’s Michael Palm Series.
Graham’s distinguished discography features all the works described above, as well as a series of lauded solo albums, including Un frisson français, a program of French song recorded with pianist Malcolm Martineau for Onyx; C’est ça la vie, c’est ça l’amour!, an album of 20th-century operetta rarities on Erato; and La Belle Époque, an award-winning collection of songs by Reynaldo Hahn with pianist Roger Vignoles, from Sony Classical. Among the mezzo’s additional honors are Musical America’s Vocalist of the Year and an Opera News Award. Gramophone magazine has dubbed her “America’s favorite mezzo.”
Calidore String Quartet - April 22, 2018
SHOSTAKOVICH Quartet No. 9 in E-flat Major, Op. 117
BEETHOVEN Quartet in F Major, Op. 59, No. 1, "Rasumovsky"
Biography: Calidore String Quartet
The Calidore String Quartet, one of the most acclaimed and sought after chamber ensembles of their generation, has been heralded as "the epitome of confidence and finesse," (Gramophone Magazine) and "a miracle of unified thought” (La Presse, Montreal). The Quartet made international headlines as the Grand-Prize winner of the 2016 and inaugural M-Prize International Chamber Music Competition, the largest prize for chamber music in the world. Other major highlights of 2016 include being named a BBC Next Generation Artist for the 2016-18 seasons and becoming the first North American ensemble to win the Borletti-Buitoni Trust Fellowship. Additionally, the quartet begins a three-year residency with the Chamber Music Society of Lincoln Center Two for the 2016- 2019 seasons. In Fall 2016 the quartet was named Visiting Guest Artists at the University of Delaware and will serve as Visiting Artists-in-Residence at the University of Michigan School of Music, Theater and Dance. The Calidore String Quartet regularly performs throughout North America, Europe and Asia and has debuted in such prestigious venues as Carnegie Hall, Wigmore Hall, Lincoln Center, Seoul’s Kumho Arts Hall, Schneider Concerts (NYC) and at many significant festivals, including Verbier, Ravinia, Mostly Mozart, Rheingau, East Neuk, and Festspiele Mecklenburg-Vorpommern.
In addition to winning the M-Prize, the Calidore String Quartet won grand prizes in virtually all the major U.S. chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions and captured top prizes at the 2012 ARD Munich International String Quartet Competition and Hamburg International Chamber Music Competition.
As protégés of the Emerson Quartet, the Calidore String Quartet is featured in a performance of Mendelssohn's octet with the Emerson Quartet presented be the Chamber Music Society of Lincoln Center to commemorate the Emerson's 40th anniversary season. Other highlights of the 2016-17 season include the quartet's Chinese debut in Hong Kong as well as debuts on major series in Berlin, New York, Chicago, Houston, Portland and Ann Arbor, a world-premiere of a quartet be Pulitzer-prize winning composer Caroline Shaw at SOKA University and collaborations with David Shifrin, Anne-Marie McDermott and members of the Emerson, Borodin and Vogler String Quartets.
Summer 2016 included a return to the East Neuk Festival (UK) where the quartet performed the entire Mendelssohn String Quartet cycle. Additionally, the quartet made its debut at Music@Menlo and the Encore Chamber Music Festival and performed the closing concert of the McGill International String Quartet Academy. The quartet returned as quartet-in-residence for a third summer at both the Innsbrook Music Festival and the Bellingham Festival of Music.
In February 2015, the Calidore String Quartet released its critically-acclaimed debut recording of quartets by Mendelssohn and Haydn. Additionally, in February 2016 the Calidore released an album on the French label Editions Hortus, with music by Hindemith, Milhaud, Stravinsky, de la Presle and Toch commemorating the World War I Centennial. The Calidore were featured as Young Artists-in-Residence on American Public Media's Performance Today and their performances have been broadcast on National Public Radio, BBC, Canadian Broadcasting Corporation, Korean Broadcasting Corporation, Bayerischer Rundfunk (Munich), Norddeutscher Rundfunk (Hamburg), and were featured on German national television as part of a documentary produced by ARD public broadcasting.
The Calidore String Quartet has collaborated with many esteemed artists and ensembles, including Jean-Yves Thibaudet, Joshua Bell, Inon Barnatan, Paul Coletti, Ronald Leonard, Paul Watkins, Raphael Merlin and the Quatuor Ebéne, among others. Formed in 2010 at the Colburn School of Music, the Calidore has studied closely with such luminaries as the Emerson Quartet, David Finckel, Andre Roy, Arnold Steinhardt, Günther Pichler, Gerhard Schulz, Heime Müller, Guillaume Sutre, Gabor Takacs-Nagy, Paul Coletti, Ronald Leonard, Clive Greensmith, Martin Beaver and the Quatuor Ebène.
As a passionate supporter of music education, the Calidore String Quartet is deeply committed to mentoring and educating young musicians, students and audiences. From 2014-16 the Calidore served as Artists-in-Residence at Stony Brook University. The Calidore String Quartet has conducted master classes and residencies at Princeton, Stanford, the University of Michigan, UCLA and Mercer University as well as at Chamber Music Connection in Columbus, Ohio. The Calidore was previously on the faculty of the Ed and Mari Edelman Chamber Music Institute at the Colburn School.
Using an amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents a reverence for the diversity of culture and the strong support it received from its home of origin, Los Angeles, California, the “golden state.” The Calidore String Quartet aims to present performances that share the passion and joy of the string quartet chamber music repertoire.
**All programs subject to change.