Momenta Quartet featuring a World Premiere by Christopher Stark
$15 - General Admission
$12 - Seniors/WU Faculty & Staff
$10 - Youth and Students
Washington University students are free with ID.
The Momenta Quartet's concert and residency at Washington University have been made possible through the generosity of David and Melanie Alpers.
Join us before the concert in the Pillsbury Theatre at 6:30 pm to discuss Christopher Stark's Seasonal Music with the composer. Complimetary wine with concert ticket.
String Quartet Op. 20, No. 1 (1772) by Joseph Haydn (1732 – 1809)
I. Allegro Moderato
II. Minuetto, Allegretto
III. Affettuoso e sostenuto
IV. Finale. Presto
Momenta: the plural of momentum – four individuals in motion towards a common goal. This is the idea behind the Momenta Quartet, whose eclectic vision encompasses contemporary music of all aesthetic backgrounds alongside great music from the recent and distant past. The New York City-based quartet has premiered over 100 works, collaborated with over 120 living composers and was praised by The New York Times for its “diligence, curiosity and excellence.” In the words of The New Yorker’s Alex Ross, “few American players assume Haydn’s idiom with such ease.”
The quartet came into being in November 2004, when composer Matthew Greenbaum invited violist Stephanie Griffin to perform Mario Davidovsky’s String Trio for events celebrating Judaism and Culture at New York’s Symphony Space and Temple University in Philadelphia. A residency through the composition department at Temple University ensued, and the rehearsals and performances were so satisfying that the players decided to form a quartet. Through this residency, Momenta gave two annual concerts highlighting the talents of Temple University student composers alongside 20th-century masterworks and works from the classical canon, and repeated the programs at the Brooklyn Society for Ethical Culture. From the outset, Momenta treated all music equally, devoting as much time, care and commitment to the student works as to the imposing musical monuments.
Word of Momenta’s passionate advocacy for emerging composers spread quickly. Composers started inviting Momenta for similar concerts and residencies at other academic institutions, among them Cornell, Columbia and Yeshiva Universities; the Boston and Cincinnati Conservatories; and the Eastman School of Music. In 2008 the quartet won its first major commission grant from the Koussevitzky Foundation for Malaysian composer Kee Yong Chong, and since received a second Koussevitzky grant for Bolivian composer Agustín Fernández. Deeply committed to the musical avant-garde of the developing world, Momenta has been an indispensable advocate for many international composers. In addition to world premieres by Chong and Fernández, Momenta has premiered and championed the works of Tony Prabowo (Indonesia), Cergio Prudencio (Bolivia) and Hana Ajiashvili (Georgia). Upcoming adventures include a project to perform and record all thirteen string quartets by Mexican microtonal maverick Julián Carrillo (1875-1965) over the next three years.
Momenta has appeared at such prestigious venues as the Library of Congress, National Gallery of Art, the Smithsonian’s Freer Gallery, Rubin Museum, Miller Theatre at Columbia University, and the Princeton Institute for Advanced Study and looks forward to high-profile concerts at Chamber Music Cincinnati, Washington University and at the internationally renowned Cervantino Festival in Mexico. Momenta gave its Mexican debut at the National University (UNAM) last June and has performed in the United Kingdom, Indonesia and Singapore. Momenta has recorded for Centaur Records, Furious Artisans, PARMA, New World Records, and Albany Records; and has been broadcast on WQXR, Q2 Music, Austria’s Oe1, and Vermont Public Radio. The quartet’s debut album, Similar Motion, is available on Albany Records.
For more information, including audio and video: www.MomentaQuartet.com
Stay connected through Facebook and Twitter: www.facebook.com/MomentaQuartet
“[They] unleashed a veritable firestorm of intensity… Momenta inhabited every note in an impassioned reading that combined brilliant virtuosity with the utmost sympathy and unity of intent.”
-Patrick Rucker, The Washington Post (January 11, 2015)
“A paragon of the concert-going experience: excellent music that was entirely fresh and new, played with skill and élan… Momenta’s playing throughout the concert was superb.”
- George Grella, New York Classical Review (September 20, 2014)