Great Artists Series, Faculty & Guest Performances, Ticketed

Great Artists Series '25: Karen Gomyo, violin and Orion Weiss, piano

(Washington University Box Office - 314-935-6543)
*purchases only refundable due to presenter cancellation

Single Tickets
$35-40 general admission
$32-37 Wash U faculty/staff
$15 students/youth

Program:
Violin Sonata in G major, K. 379/373a (1781) by Wolfgang Amadeus Mozart (1756 - 1791)
     Adagio - Allegro
     Andantino cantabile (Theme and Variations)
     Allegretto

Toccata in E minor, BWV 914 (1710) by Johann Sebastian Bach (1685 - 1750) (solo piano)
Violin Diptych (2020) by Samuel Adams (b. 1985) (solo violin)

Intermission

Romance, Op. 11 (1873) by Antonín Dvořák (1841 - 1904)
Violin Sonata No. 3, Op. 108 (1886 - 88) by Johannes Brahms (1833 - 1897)
     Allegro
     Adagio
     Un poco presto e con sentiment
     Presto agitato

“a first-rate artist of real musical command, vitality, brilliance and intensity.” - The Chicago Tribune

Biography:

Karen Gomyo, “a first-rate artist of real musical command, vitality, brilliance and intensity.”  (The Chicago Tribune), possesses a rare ability to captivate and connect intimately with audiences through her deeply emotional and heartfelt performances. With a flawless command of the instrument and an elegance of expression, she is one of today’s leading violinists.

Karen’s 2023/24 season engagements include her debuts with the Chicago Symphony Orchestra with John Storgårds, Gewandhausorchester Leipzig with Semyon Bychkov; and the National Symphony Orchestra of Ireland with Lio Kuokman.  She also appears with the Mozarteumorchester Salzburg with Constantinos Carydis, BBC Philharmonic Orchestra with John Storgårds, Gulbenkian Orchestra with Giancarlo Guerrero, Orquesta Sinfónica de Bilbao with composer/conductor Samy Moussa, and the Vancouver Symphony with Gerard Schwarz. In February 2024, Karen will return to the Dallas Symphony Orchestra for the world premiere of Year 2020, a Concerto for Trumpet, Violin and Orchestra by Xi Wang, with trumpeter Tine Thing Helseth and conductor Fabio Luisi.  Together with conductor Jakub Hrůša, with whom she collaborates regularly, Karen will return to Japan to perform with the Tokyo Metropolitan Symphony Orchestra. 

Further afield, Karen continues to be sought after in Australasia, and will be touring the region in August and September 2024, returning to the Singapore, Melbourne, Sydney, Tasmanian and West Australian symphony orchestras. 

Highlights of recent seasons include Karen’s subscription debuts with the New York Philharmonic, Pittsburgh Symphony, Orquesta Nacional de España, the Czech Philharmonic and Rome’s Accademia Nazionale di Santa Cecilia. Karen also returned to the Los Angeles Philharmonic under Gustavo Dudamel at the Hollywood Bowl, the Orchestre Philharmonique de Radio France in Paris under Mikko Franck and the WDR Sinfonieorchester Köln with Cristian Macelaru.

As a passionate chamber musician, Karen has had the pleasure of performing with artists such as Olli Mustonen, Leif Ove Andsnes, Enrico Pace, James Ehnes, Noah Bendix-Balgley, Daishin Kashimoto, Emmanuel Pahud, Julian Steckel, the late Heinrich Schiff, mezzo-soprano Susan Graham, and guitarist Ismo Eskelinen with whom she has recorded the duo album Carnival on Bis Records.

She is also a champion of the Nuevo Tango music of Astor Piazzolla. She regularly collaborates with Piazzolla’s long-time pianist and tango legend, Pablo Ziegler, as well as with bandoneon players, Hector del Curto, JP Jofre, and Marcelo Nisinman. In 2021 Karen released A Piazzolla Triology (BIS Records), recorded with the Strings of Orchestre National des Pays de la Loire and guitarist Stephanie Jones.

Renowned for her commitment to commissioning new repertoire, Karen has given the U.S. premieres of Samy Moussa’s Violin Concerto Adrano with the Pittsburgh Symphony - and Matthias Pintscher’s Concerto No. 2 ‘Mar’eh’ with the National Symphony Orchestra in Washington under the baton of the composer. In May 2018, she performed the world premiere of Samuel Adams’ new Chamber Concerto with members of the Chicago Symphony Orchestra and Esa-Pekka Salonen, a work written specifically for Karen and commissioned by the CSO’s ‘Music Now’ series for their 20th anniversary.

Born in Tokyo, Karen began her musical career in Montréal and New York, She studied under the legendary pedagogue Dorothy DeLay at the Juilliard School before continuing her studies at the Indiana University Jacobs School of Music and New England Conservatory. Karen also participated as violinist, host, and narrator in a documentary film produced by NHK Japan about Antonio Stradivarius called The Mysteries of the Supreme Violin, which was broadcast worldwide on NHK WORLD. 
 

One of the most sought-after soloists and chamber music collaborators today, Orion Weiss is a “brilliant pianist” (The New York Times) with “powerful technique and exceptional insight” (The Washington Post). He has dazzled audiences worldwide with his “head-spinning range of colors” (Chicago Tribune) and has performed with all of the major orchestras of North America, including the Chicago Symphony Orchestra, Boston Symphony Orchestra, Los Angeles Philharmonic, and New York Philharmonic.

In 2024 Weiss will release Arc III, the final album in his Arc recital trilogy (First Hand Records). His live performance schedule includes engagements with violinist James Ehnes, who joins Weiss for his return to London’s Wigmore Hall as well as for performances in Tokyo, Seoul, Hong Kong, Seattle, Bloomington, Indiana, and Bergen, Norway. Among numerous engagements with U.S. orchestras, Weiss makes his David Geffen Hall debut with the American Symphony Orchestra. He is featured in recitals at the Santa Fe Chamber Music Festival, Italy’s Teatro Marrucino Biglietteria, and Washington University in St. Louis, as well as on a tour with Chamber Music Society of Lincoln Center and an appearance at LaMusica Chamber Music Festival in Sarasota, Florida. Over the last year, he made his return to the Chicago Symphony Orchestra, led by Michael Tilson Thomas, debuted with the National Symphony; gave multiple performances in the United States, Canada, and Asia with violinist Augustin Hadelich; and appeared at the Kennedy Center, Lincoln Center and Carnegie Hall’s Zankel Hall.

Known for his affinity for chamber music, Weiss performs at venues and festivals around the United States with such artists as violinists Augustin Hadelich, William Hagen and James Ehnes; pianists Michael Brown and Shai Wosner; cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets.

A native of Ohio, Weiss attended the Cleveland Institute of Music and made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1 in 1999. That same year, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. Weiss’s awards include the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant and more. His teachers include Paul Schenly, Jerome Lowenthal, and Sergei Babayan. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax. Learn more www.orionweiss.com.
 

**All programs subject to change
 

 

 

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