Felipe Guz Tinoco’s research interests center on jazz and transnationalism in Brazil, the Caribbean, and on music of the African diaspora generally. His prospective dissertation examines issues of race and nationalism in Samba-Jazz and Música Instrumental Brasileira through postcolonial lenses. He is pursuing the American Cultural Studies Certificate and Teaching Citation at Washington University in St. Louis.
“Listening for Africa, Listening for Cultural Imperialism: 1960s Jazz and Cuban Transnational Exchanges”
X International Musicology Symposium at the Federal University of Rio de Janeiro (UFRJ), Rio de Janeiro, Brazil.