Great Artists Series '23: Academy of St Martin in the Fields with Johannes Moser, cello

Annual Pillsbury Event

SUBSCRIPTION TICKETS

Edison Box Office: 314-935-6543
Single Tickets: (Available Tuesday, September 6)
$35-40 general admission
$32-37 Wash U faculty/staff
$15 students/youth

Program:
TBA

“…the musicians proceeded to play the heck out of a demanding program…extraordinary details of dynamics and tone coloring…The Academy musicians seemed to revel in the notes and they shaped an absorbing, virtuosic performance.”

"…a delectable mix of drive and vibrant coloring…an impressive night…” -THE BALTIMORE SUN

Biographies:

Johannes Moser, cello

Hailed by Gramophone Magazine as "one of the finest among the astonishing gallery of young virtuoso cellists," German-Canadian cellist Johannes Moser has performed with the world’s leading orchestras such as the Berliner Philharmoniker, New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony, BBC Philharmonic at the Proms, London Symphony, Symphonieorchester des Bayerischen Rundfunks, Koninklijk Concertgebouworkest, Tonhalle Orchestra Zurich, Tokyo NHK Symphony, Philadelphia, and Cleveland Orchestras with conductors of the highest level including Riccardo Muti, Lorin Maazel, Mariss Jansons, Valery Gergiev, Zubin Mehta, Vladimir Jurowski, Franz Welser-Möst, Christian Thielemann, Pierre Boulez, Paavo Jarvi, Semyon Bychkov, Yannick Nézet-Séguin, and Gustavo Dudamel.

His recordings include the concertos by Dvořák, Lalo, Elgar, Lutosławski, Dutilleux, Tchaikovsky, Thomas Olesen and Fabrice Bollon (Electric Cello), which have gained him the prestigious Preis der Deutschen Schallplattenkritik and the Diapason d'Or.

Concerto  highlights  of the  2021/22  season  include  performances  with  the  San Francisco  Symphony,  Residentie  Orkest, Belgrade Philharmonic Orchestra, Oregon Symphony (as Artist in Residence), a Belgian tour with the Symfonieorkest Vlaanderen, Dusseldorf Symphoniker, and Lucerne Symphony. Chamber music performances include a European Trio tour with Vadim Gluzman and Andrei Korobeinikov with performances in Amsterdam (Concertgebouw), Dusseldorf (Tonhalle), Geneva (Conservatorie de Musique), and Dresdener Musikfestpiele amongst others as well as appearances at the West Cork, Norfolk, and La Jolla chamber music festivals.

A dedicated chamber musician, Johannes has performed with Emanuel Ax, Joshua Bell, Jonathan Biss, James Ehnes, Vadim Gluzman, Leonidas Kavakos, Midori, Menahem Pressler and Yevgeny Sudbin.  Johannes is also a regular at festivals including the Verbier, Schleswig-Holstein, Gstaad and Kissinger festivals, the Mehta Chamber Music Festival, and the Colorado, Seattle, and Brevard music festivals.

Renowned for his efforts to expand the reach of the classical genre, as well as his passionate focus on new music, Johannes has recently been heavily involved in commissioning works by Julia Wolfe, Ellen Reid, Thomas Agerfeld Olesen, Johannes Kalitzke, Jelena Firsowa, and Andrew Norman.  In 2011 he premiered Magnetar for electric cello by Enrico Chapela with the Los Angeles Philharmonic conducted by Gustavo Dudamel, and in the following season he continued this relationship with the orchestra performing Michel van der Aa's cello concerto Up-close. Throughout his career, Johannes has been committed to reaching out to all audiences, from kindergarten to college, and beyond.  He combines most of his concert engagements with masterclasses, school visits and preconcert lectures.

Born into a musical family in 1979, Johannes began studying the cello at the age of eight and became a student of Professor David Geringas in 1997. He was the top prize winner at the 2002 Tchaikovsky Competition, in addition to being awarded the Special Prize for his interpretation of the Rococo Variations. In 2014 he was awarded with the prestigious Brahms prize.

A voracious reader of everything from Kafka to Collins, and an avid outdoorsman, Johannes Moser is a keen hiker and mountain biker in what little spare time he has.

Johannes Moser plays on an Andrea Guarneri Cello from 1694 from a private collection.


The Academy of St Martin in the Fields

The Academy of St Martin in the Fields is one of the world’s finest chamber orchestras, renowned for fresh, brilliant interpretations of the world’s greatest orchestral music.

Formed by Sir Neville Marriner in 1958 from a group of leading London musicians, the Academy gave its first performance in its namesake church in November 1959. Through unrivaled live performances and a vast recording output – highlights of which include the 1969 best-seller Vivaldi’s Four Seasons and the soundtrack to the Oscar-winning film Amadeus – the Academy quickly gained an enviable international reputation for its distinctive, polished, and refined sound. With over 500 releases in a much-vaunted discography and a comprehensive international touring program, the name and sound of the Academy is known and loved by classical audiences throughout the world.

Today the Academy is led by Music Director and virtuoso violinist Joshua Bell, retaining the collegiate spirit and flexibility of the original small, conductor-less ensemble which has become an Academy hallmark.  Under Bell’s direction, and with the support of Leader/Director Tomo Keller, and Principal Guest Conductor Murray Perahia, the Academy continues to push the boundaries of play-directed performance to new heights, presenting symphonic repertoire and chamber music on a grand scale at prestigious venues around the world.

When COVID-19 sparked lockdowns across the globe, the Academy responded by establishing a digital campaign to fund the production of new performance videos.  New films of Elgar and Shostakovich will be out soon, and future filming plans include recording with Music Director Joshua Bell.  In addition, the orchestra launched a new concert series at its spiritual home of St Martin-in-the-Fields in London’s Trafalgar Square. The series – the first of its kind in the orchestra’s home city for many years – has seen the Academy collaborate with internationally artists on concert programmes devised by members of the orchestra.  A second concert series is planned at St Martin’s for March-August 2021.


**All programs subject to change

Financial assistance for this project has been provided by the Missouri Arts Council, a state agency.  www.missouriartscouncil.org

 

 

SUBSCRIPTION TICKETS